‘In Immobile Air’ is Abul Mogard’s new solo album since 2019’s ‘Kimberlin OST’, an epochal assembly of widescreen ambient works made during lockdown in Spring 2020.
Master of harmonic empathy Abul Mogard makes an ever welcome return to Ecstatic with a suite of patented pathos for testing times, mostly generated from an old Bechstein upright piano built in 1891. Inspired as much by the instrument’s rich harmonic textures as the Italo Calvino short story that lends the album’s track titles, ‘In Immobile Air’ collects five works written by Mogard during the ill-fated Spring of 2020.
Thematically, the album dwells on Mogard’s typical concerns with memory and states of mind, and comes to feel like the musical rendering of a soul preoccupied by their mortality. As such, it can be read as a suite of instrumental hymns for a world coming to terms with its current condition and state of static unrest, evoking a stillness of air in its glacial movements while reflecting a gnawing sense of something impending. Yet, it’s simultaneously and quite profoundly soothing in its widescreen harmonic shifts along the knife-edge between bliss and dread.