A stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared back: no guitar, with each of the four expansive tracks focused around just one or two sabar drummers; otherwise the only recorded elements are vocals—everything else is programmed. Synths (including Ernestus’ signature Prophet‑5) are tightly locked to the drumming in an aesthetic distilled of dub‑wise textural effects.

This release ushers in a new spaciousness, beginning with ambient street sounds from Dakar, then unfolding into taut, grooving, and complex polyrhythms. Mbene Diatta Seck emerges as a captivating mbalax diva, treating each track as a distinct dramatic episode—alternating narrative, praise, introspection, and protest.

“Khadim” (the title track) is a devotional portrait of Cheikh Ahmadou Bamba, blending tribal drumming, bass-heavy steppers rhythm, reed melodies, and spiritual storytelling. “Lamp Fall” is a meditative homage to the Touba mosque, while “Dieuw Bakhul” exposes societal betrayal, and “Nimzat” closes the album with fervent devotional reflection. The result is austere, emotionally volatile, and spiritually deep music born from live improvisation and years of touring.